During my tenure at Little, my longest-standing client was the Minnesota Historical Society. Yes, it was on-and-off, but I still count it.
There are two reasons this has been one of my favorite clients. Number one: the people are wonderful. They’re smart and talented and want to do things the right way — inclusively and respectfully.
Number two: the challenges were fascinating. This will come as no surprise, but many of the sites and figures in Minnesota’s history ain’t all sunshine and lollipops. I always appreciated the challenge of trying to capture the duality of a person or site.
If you want to hear why the 1968 Project is one of my all-time favorite projects, just ask me. (Let’s be honest, no one has read this whole thing anyway.)
All work shown was created at Little.